![]() There’s a clip-launching one as well as the well-known linear arranger window. It is such a small detail but can be a lifesaver inside a particular MIDI clip allowing you to revise it to the finest detail without closing the Key/MIDI editor window.īitwig also has two sequencers that are presented in the same window. Here’s just one example: having an automation lane present inside the Key/MIDI note editor where all note expressions reside. As they say: the devil’s in the details, and Bitwig brings plenty of those details. Granted, there is no one-DAW-fits-all solution in the virtual domain, but there are still plenty of detailed features present here. It also brings some tools and options that are quite familiar to users of other mainstream DAWs, but with a bit different approach or improved workflow. It offers you all kinds of modest tools from the Electro world that you can effectively utilize in the Rock world.Īlong with all that – Bitwig brings some quite unique solutions to common challenges. Also, Bitwig allows you to do all sorts of gymnastics with audio clips, using and abusing Bitwig’s modular approach to building quite innovative effects chains that can be applied to any clip inside a track. On the other hand, I discovered that this is a dream-come-true host for mixed genres, using the best possibilities from both the virtual and the real worlds. As version 4 introduces audio comping, there are no more excuses why you would want to avoid recording your guitar or any other live instrument. Actually, it offers everything you’ll ever need to start or finish a song, no matter what genre you are working on – rock, pop, electro, metal or EDM, to name just a few. After spending some quality time with Bitwig, I realized that it is far more than that. That’s quite a mistaken impression, I have to say. Or maybe that it’s just some colorful younger brother of Ableton Live. I suspect that we’ve all gotten some kind of impression that Bitwig is some kind of DAW for Electro and/or EDM application.
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